#Waveburner bounce clipping full
#Waveburner bounce clipping psp

This method only works if you are going to be doing your own mastering. It assumes what will be needed in the mastering room. Why? Because even a generic 'loudness' setup will help you hear problems that your mix might have once it goes through the mastering phase. That said, I do strongly recommend putting some kind of mastering chain on your main output even (and maybe, especially) if you're planning on using a ME.

#Waveburner bounce clipping psp

However, I'm not sure I would unequivocally stick with my mastering chain (T-RackS 3 LP EQ, PSP Master Comp, URS Saturation, Waves 元LL Multimaximizer and Ozone 4 for DC offset removal) if I could afford to hire an ME whenever I wanted to master something. I like having a mastering chain on the project's outputs, since I can actually mix and hear how it affects the 'final' product. These days I actually DO bounce to individual files so I can take advantage of sample rate conversion and MBIT dithering in Izotope Rx Advanced.Īrmageddon wrote: Since doing all my audio work in DP, I've been putting in a mastering chain on the main outputs and bouncing out at 88.2 kHz/32-bit, then downconverting, trimming and adding IDE tags in Wave Editor. This also assumes you are bouncing to a 44.1KHz file. Unfortunately, this will only work with SD2 files WB (and nothing else I've found) is not setup to read region information from AIFF or WAV format. They will go into Waveburner in order,properly named, and with no gaps (assuming you have your WB prefs set up that way.) Now, in the Finder and with a new Waveburner session open, drag the bounced file into the session window. In the Soundbites window, select and DELETE the soundbite with the name of the bounced track. Rename each new region (if the markers have the inteded region names, just cut and paste the names). Then select every other marker (so every other intended region is selected) and hit command-Y. (Be sure to bounce to 16-bit, dither, etc.) After the bounce, in the sequence editor, hide all tracks except the newley bounced track.

Instead of bouncing to individual files, bounce the entire sequence as an interleaved SD2 file (split stereo will also work fine) and tell DP to add the bounced file into the sequence.

#Waveburner bounce clipping full

If you had say a full length live CD to master that was all one audio file, how would you get markers/regions from DP into Waveburner (or Toast etc)? Is it a necessity to bounce to a bunch of separate sound files in DP just to create track markers in WB? Seems like there should be a way to simply get markers or regions (soundbites, not separate files) exported from DP to another pgm but I haven't figured it out yet. Philbrown wrote: This thread is timely! I 'master' spoken word seminars on a regular basis, but my workflow is slightly changing now. This thread is timely! I 'master' spoken word seminars on a regular basis, but my workflow is slightly changing now. The most important gear (given a base level of professionalism) a ME has is his ears.

Point is, you don't HAVE to use Seqouia- nice though it is. Yes, I do, though I use my resources efficiently so I can keep my prices within reach of indies in need of a pro. ME's ears are always better than mine (and others) from my experience. I've been down that road and true ME's are just as surgical as musicians at their craft. I have worked around the best and most use Sequoia for some reason in which I'm not an ME, so don't care. I prepare my masters in DP using a variety of digital and analog processes (through a Metric Halo 2882 for conversion) and actually burn my master discs with Waveburner. The disc burning in DP is a reference convenience at best, never a fully formed feature IMO. For one thing, you cannot burn Red Book (actually, Orange Book PMCD Masters) from DP. Ghobish wrote:I master in DP all the time- everyday, in fact- but I NEVER burn discs from there.